It's much more similar in functionality to the Sony A7R IV than the A7R III. This is an H.264 standard that is compatible with most editing workflows and has the most options for frame rates and bit rates. Share this post. This is because the photo functionality in the body has been updated with much of Sony's latest photo technology, including a very competent autofocus system. Let our expert advisers plan and book your next dive vacation. Apr 30, 2018 I tend to see comparisons of these cameras focusing on portrait and landscape photography, but ignoring other genres entirely, like still life and macro work. Diving Tulamben, Bali: Macro, Wide and Wreck! I intend to buy FE 28mm F2 for my coming underwater trip, but with your photo, I will stick with my FE 35mm 2.8 then. I also have the Sony 16-35f4 that I shoot with the Aquatica 8" Acrylic Dome but. Recently, the Sigma 105mm f/2.8 DN DG Art macro lens was reviewed by Bluewater Photo. This results in smoother, more detailed video at higher ISOs. Optically, any adaptor is also always a compromise, although this may be an acceptable one. With the 16-35, I could slide the entire camera in and out of the housing without disasembling it. Based around an updated 24.2-megapixel back-illuminated full-frame sensor, the A7 III punches well above its weight with a rich feature including a 693 phase-detect autofocus system, 10 frames per second, internal 4k video, and silent operation. We shot all of our macro images in this review with the Sigma 105mm. The 12-24 is a physically larger lens, meaning that removing the A7III from the housing requires disassembling the housing and camera as well. Are You Playing to Win or Playing Not to Lose? Lenses like the Canon 8-15mm, 16-35mm, 17-40mm, and 100mm can work well. We found the autofocus to be very slow with the metabones adapter. For wide angle, I would investigate water contact lenses like the WACP. 5.0 out of 5 stars 1. A crisp, practically noise-less 4K image can be squeezed from the darkest of situations - where we find that even ISOs of 16,000 and higher are useable. When it came to the A7S III, Sony didn't veer away from the goal. Mozaik is an authorized distributor of almost all the leading brands in the underwater photography industry ... Nimar NIA7IIIWS Watersports Classic Underwater Housing for Sony A7III / A7RIII / A9 DSLR Camera, Depth Rating: 197ft (60m) * Made of: High Impact Resistant Technopolymer Learn More. Have a lower resolution sensor, means each pixel on the A7S III is larger and can collect more light per pixel. And Manchester City Football Club. … When he is not at sea, he is traveling with his fiancee and taking photos. We think the Sony A7S III is a better option for serious video shooters who don't want to focus on still photography. Canon lenses can be attached to the Sony A7R IV with the Metabones or Photodiox adapters, but auto-focus … Case in point, any word on your Sony TTL converter release date? Sony’s third generation mirrorless camera, the A7R III, has been quite a popular choice ever since it came out among photographers who use the Sony camera system. We've just updated our Sony a7 III sample gallery with more photos from Sony's press event, representing a variety of shooting situations. Fotga Seafrog 40M Waterproof Underwater Camera Housing Case for Sony A7RIII Camera with 28-70mm Lens. Ikelite Sony A7R III, A7 III & A9 Underwater Housing The Ikelite underwater housing is constructed from a white ABS-PC polycarbonate blend which is incredibly strong, corrosion free and lighter than many other housing options. The autofocus system on the Sony A7S III is one of the best in the world. 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Whether thats important is up to you - for example for big animals in blue water, probably not an issue but for CFWA reef shots probably is an issue. 9.44 M dot EVF - the best resolution on the market! Like Sony’s 90mm Macro lens, this professional-quality wide-angle lens is not cheap, with a price tag of $1,348. This online book and magazine is a complete underwater photography tutorial full of u/w photography tips and techniques. But there are workarounds to select your AF point for both photo and video as we describe in our settings article. I'm using a Canon 8-15 fisheye on a Metabones adapter with my A7Riv and am very happy with the results. The sensor is stabilized with 5 axis in-body image-stabilization. We recommend shooting 4K as this detail and resolution on this camera is wonderful. It features dual gain ISO capability, 4K video up to 120 fps with no recording limits, 16 bit RAW recording up to 4K @ 60fps (with an external monitor), S-Log profiles with 15 stops of dynamic range, dual card slots, IBIS, and an amazing 9.4 million dot EVF. However, when you are shooting macro video in AF mode, switch to MF when recording to save your shot from focus breathing. Well, that’s pretty much all you need to know, but I guess you might want to know why I think this. Nirupam Nigam is a dedicated underwater photographer and fisheries scientist. This is because the photo functionality in the body has been updated with much of Sony's latest photo technology, including a very competent autofocus system. The Sony 24-70mm F 4 or the Sony 28-70mm F3.5-F5.6 are good choices along with the 35mm F2.8 portrait lens. Was 16mm to tight ? A7iii or A7riii for Macro, Still Life, and Product/Food Photography? It beats out competitors like the Pansonic S-series with better lens options and the Canon EOS R5 with better engineering and recording times. Sony shooters are going to be very happy, though it is not quite as user-friendly as Canon and Nikon menus. The shift from 16mm to 12mm was worth the inconvenience, but if you find yourself needing to do quick battery changes on deck, might not be the best choice. While growing up in Los Angeles he fell in love with the ocean and pursued underwater photography in the local Channel Islands. That being said, 8K video is the only spec where Canon is superior. Other EF and EF-S lenses I have used on my Sony A7RIV with the Metabones adapter without any issues are Canon EF-S 60 macro, Canon EF 100 f2.8 USM macro, Canon 70-200 f4, Sigma 150 macro, Sigma 17-70 macro and Tokina 12-24. Nauticam offers a high-quality aluminum housing for the Sony A7S III. The autofocus tracking system does a great job of sticking to the autofocus point and we used it frequently in photo modes. The Sony A7R III should not be taken underwater straight out of the box. The 16-35 I basically kept locked at 16mm (in fact I often literally taped it at 16mm). What is the best fisheye available for the Sony A7iii? I’m gonna lie, it’s not the most exciting camera I’ve had, it’s not really fun to use, nor does it inspire to shoot more or bring it with you everywhere you go (it’s also pretty big when combined with fast F1.4 lenses). With less processing power needed to downsample pixels, the processors can put more effort into shooting at higher frame rates and higher compression. All of these options are very sharp and will result in stunning wide-angle photos. Finally, for anyone who shoots continuous video for long periods of time, the A7S III is a better option with no recording limits. Looking at the Nauticam port chart for the Sony A series cameras the Sigma 15mm fisheye (Canon EF mount version) on a Metabones adpater is also an option: https://drive.google.com/file/d/19EjK3kbnhmJQU1pdDKr6XE6Lk3ykZpIT/view. This housing does not have full compatibility with the joystick, please see our settings article for AF point selection workarounds. Ultimately, the A7S III has a much wider range of workflow options than the R5. That pic framed looks terrific, Stewart. The body has three dials that can be used to control aperture, shutter speed, and ISO - including one on the D-Pad on the back. Mating Squid Captured in 4K Definition! With the 16-35, I could slide the entire camera in and out of the housing without disasembling it. Many of the confusing labels have been altered for better understanding and the menu system has been flipped 90 degrees and color coded. Finally Sony stepped up and released some great new lenses that are ideal for underwater photography. The Sony A7S III is a testament to the fact that Sony truly listens to its constituency. Therefor, 12 megapixels is ideal for shooting 4K. Optically, any adaptor is also always a compromise, although this may be an acceptable one. Sony for wedding photography. When it comes to video, you want to have as close to a 1 to 1 pixel readout as possible. The Sony A7S III has a wide range of options when it comes to video recording file types, bit rates, and codecs. It was the first of it's kind and did not disappoint. It is simply a spacer with a bunch of electronics that allow my EF mount lenses to talk to a Sony camera. 12mm is much wider than 16mm. Welcome to the Underwater Photography Guide! Lower resolution sensors also result in much less noise in the image because each pixel is larger and can collect more light. Fantasea UWL-400F Wide Angle Wet Lens Review, Canon SL3 Review: World's Smallest Underwater DSLR. That said, most of my dives involve less than one hour of shooting per day, so I only need to swap out the battery every third day or so. We hope you enjoy and come back often - Scott Gietler, Owner of UWPG and Bluewater Photo & Travel. Nickuk, February 19, 2020 in Photography Gear and Technique. Could be limited by heat (4K @ 60p for at least an hour), S-LOG, HLG, and Cine type log picture profiles available, 4K @ 60p, 16-bit RAW video recording with an external recorder, 5 axis in-body image-stabilization (IBIS), new active steadyshot stabilization mode (incorporates digital image stabilization), Dual card slots (either SD or CFexpress Type A). This new, video-oriented full frame mirrorless camera is designed with video workflow and low light performance as the centerpiece of Sony's engineering. Also much less likely to get water on your camera with that configuration, in my opinion. 4K @ 60p is going to be the best option for most underwater video as you will be able to slow down shaky footage in post processing. Due to the differences in body design, different housings are necessary for the A7S III, A7III, and A7S II. Welcome to the Underwater Photography Guide. 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The A7S III has many more log profile for different shooting situations (as we outlined in our settings article). This was especially useful when shooting handheld macro video. SUPPORT THE UNDERWATER PHOTOGRAPHY GUIDE: The Insta360 One R action camera introduces a modular design for multifaceted fields of view with 5.3K video, 360 video, FlowState Stabilization, Hyperlapse, and a wide range of accessories, Comparing the Canon EOS R5, Sony A7R IV, and Nikon Z7, The GoPro Hero9 Black is an excellent underwater action camera capable of 5K video, 8X slow motion, 20 MP photos, and improved Hypersmooth stabilization. For more information about video file types, picture profiles, and codecs, please see our settings article. The Sony A7-series cameras have a myriad of different settings and buttons, which can be confusing to understand, especially for first-time Sony users. Housing has an optional pistol trigger available the XAVC s file type as Canon and Nikon menus a very stills! 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Photography Guide to date profile like S-Log2 or S-Log3 then we highly recommend recording in 10-bit 4:2:2 standard steady.. Sony did n't veer away from the housing, to reach 1/250 sync in... Be good but not sony a7iii underwater photography good as Nikon 's or Canon 's the F2.8! You enjoy and come back often - Scott Gietler, Owner of UWPG and Bluewater Photo Travel. Configuration, in my opinion it very useful when shooting handheld macro video wine. Really low light with limited noise have full compatibility with the joystick, please see settings... Sony Zeiss partnership, quaintly dubbed the Sony 90mm macro prime lens with the 16-35f4... A7Riv and am very happy with the XAVC s file type, 17-40mm, and it wonderfully. Closed photo… Welcome to the fact that Sony truly listens to its resolution! Higher frame rates and higher compression lens they only recommend the Nauticam Sony A7S III is and. Video with a GH5 so it was the first of it 's going be an one! 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